Home Learn A Disney director tried—and failed—to make use of an AI Hans Zimmer to create a soundtrack

A Disney director tried—and failed—to make use of an AI Hans Zimmer to create a soundtrack

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A Disney director tried—and failed—to make use of an AI Hans Zimmer to create a soundtrack

Hans Zimmer, 1; AI, 0. 

When Gareth Edwards, the director of , was interested by the soundtrack for his upcoming movie about artificial intelligence, , he decided to try composing it with AI—and got “pretty rattling good” results. 

“The cheeky a part of me thought it’d be even higher if we didn’t tell anyone—and we did the soundtrack and we kept it secret, like we invented an individual’s name or something, after which when it was all done … ‘Haha, it was actually AI,’” Edwards said in a LinkedIn Live interview with MIT Technology Review. (You’ll be able to watch the complete interview below.)

Edwards had asked an unspecified AI music company to make use of the tech to create a soundtrack within the form of Oscar-winning composer Hans Zimmer. 

The AI system generated a track that was perhaps a “7 out of 10,” Edwards said. 

“But at the back of my head I used to be like, ‘But the explanation you go to Hans Zimmer is for 10 out of 10,’” he added. 

Edwards, who ended up using the actual, flesh-and-blood human Hans Zimmer for the soundtrack of his movie, said he played the AI-generated track back to the composer. Zimmer, he said, found it amusing. Zimmer wasn’t reachable for comment. 

Edwards’s experiment speaks to a problem at the guts of certainly one of the most important fights facing Hollywood today. Artists and creatives are up in arms over generative AI. Hollywood is currently at a standstill as actors and writers are striking over fairer labor conditions and the usage of generative AI within the film industry. There may be also fierce pushback from authors and artists who argue that tech firms steal their mental property by indiscriminately scraping the net for images and text. Outstanding artists similar to comedian and writer Sarah Silverman have sued AI firms for copyright infringement. 

It’s still early days for music-generating AI, which could explain why Edwards got the outcomes he did, says Henry Ajder, an authority in generative AI. 

“From my experience, some quite easy AI music is pretty convincing. It’s difficult to inform the difference between an AI-generated composition and a human performed composition,” he says.  

But an extended piece within the form of Hans Zimmer is significantly more complex to generate than a straightforward piano melody with one instrument, he adds. AI systems are limited by what’s of their training data, whereas human Zimmer has his imagination and the entire surrounding world to attract inspiration from. 

Crucially, Edwards said, AI systems lack a fundamentally crucial skill for creating good art: taste. They still don’t understand what humans deem good or bad. For that reason, he believes that slightly than fearing AI, creatives should use it. “Everyone’s very aware it’s coming. It’s a tool,” Edwards said. “The those who are going to be okay are the individuals who don’t deny this breakthrough is going on, and embrace it and learn it, and take a look at to make use of it as a tool.” 

Edwards drew parallels between today’s AI boom and the invention of the photo editing software Photoshop. 

When Photoshop got here out, he said, the general public discussion was about how the software “was sacrilegious.” 

“We got over that eventually. Now Photoshop has created so many opportunities for thus many individuals doing art … I wouldn’t wish to return,” he said. 

Artificial intelligence will seismically shift the industry in the identical way the invention of the camera or the digital visual effects in did, Edwards said: “It’s just one other certainly one of those, I hope.”

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